Team

The importance in packaging

While you shop, do you pay attention to the way products are packaged?  Some scream more loudly for your attention than others.  Some are simple while others are complex.  Branding and packaging should reflect the image that one is trying to create in the market place.  

We are going to discuss the importance of how you deliver your end product to the Bride and Groom.  First impressions are great for booking the wedding, but the impression you deliver at the last stage with your client is a significant part of what will drive them to refer you again and again. 

Our clients are visually driven.  Initially, we focused on the look of the website, business cards and demos, but we didn't create a separate experience for the client when they received their DVD’s. However, after attending Re:Frame in New Orleans, our eyes were opened to this importance. Therefore, we set out on a mission to create a more attractive deliverable.

Inspiration

To find the right packaging, start with some fresh inspiration.  Stay current with styles and design trends by looking through magazines such as Elle, InStyle, Cosmopolitan, or Esquire.  Grab the latest edition of a wedding magazine like WedLuxe, Martha Stewart Weddings, or Bride Magazine.  Go online and peruse the wedding blogs, Weddingbeepro, Stylemepretty, Thebridescafe.   Take special notice of invitations, how they are designed, their colors, shape, and stock.  

Our Packaging

For our packaging, we wanted something that was of higher quality and more aesthetically pleasing than a standard black-plastic dvd case.  We found Jewelboxes (see figure 1 below), and we print images and text directly on the DVD itself (figure 2).   We also provide the couple with a leather DVD case from Art Leather, setting their dvds apart from the rest of their order.

If you subscribe to Rangefinder magazine, there are advertisers that have variations of these cases. 

DSC_0081  DSC_0079

 

Beyond cases, we began to pay more attention to the packages as well.  We went to retailers and turned boxes over to discover the manufacturer, and then we would locate that manufacturer through a google search.  We currently use the beautifully designed boxes you see below which we found at www.pfile.com.

DSC_0071

 

Inside the box, we will also place popcorn and chocolate.  Depending on our client’s tastes, we might also put a bottle of wine, bag of gourmet coffee or even a cigar.

As artists, we spend time finding just the right shot with just the right lighting and use just the right music score to ignite as much emotion as possible. Transfer some of that creative ability when you deliver your final product to your client.  Your business should be an experience for them from beginning to the end.

 

untitled

 

A few years ago before beginning our business, John traveled to Alaska to track the Iditarod dog sled race.  While there he noticed the beauty of the Aurora Borealis, the northern lights.  Each time the lights emerged they were different in form, color and movement.  In creating our video studio, the Aurora Borealis seemed a fitting metaphor for what we intended to accomplish.

  

Northernlight Filmworks seeks to continually evolve and create something unique for our couples with changes in form, color, and movement.

 

Northernlight Filmworks was born about 5 years ago in the basement of our home.  Our studio consists of John and Jennifer Moon and John’s brother Steve.  While John has the left-brained creative side, Jennifer is the glue that keeps the technical side of the studio running smoothly.  At Northernlight Filmworks, having fun is a must!

 

Our success rests upon high production value, marketing and branding.   Much of our inspiration comes from music, high fashion photography, movies, music videos, etc.  All of the tools we use, whether Super 8, 16mm, 35mm adapters, sliders, cranes, etc. are the paint brushes we utilize to tell the wedding day story.  

We are excited to be part of IN[FOCUS], making our contribution to the elevation of the world of wedding cinema.

For the past year or so we have been using Basecamp which is a web app created by 37signals.  We use it primarily as a way to manage the projects that our editors are working on.  

With it, you can send/receive files and create due dates and have them automagically sent to the editor when the due date is getting near.. it also has become a great time saver in that there are fewer places for me to look for items like emails, most up to date project files, and a streamlined conversation.
One thing I did not mention in the video is the RSS feed option… you can subscribe to the feed and if/when there are changes/updates to the project, you will be updated -automagically- via your feed reader.  
The other thing I mentioned in the video was Groundwork which is the app for the iPhone.  I purchased it but haven’t used it enough to love it or hate it.
I really like the format – the only thing that I wish was that the other web apps I use could all “speak” to each other.  All in good time, I guess…
Speaking of all in good time, I did get my hair cut since my last post… my wife thinks I’m cute again.

Team IN[FOCUS] spent Tuesday at NAB to hang out with sponsors and a slew of wedding filmmakers, including Patrick, Konrad, Michael, and Amina from StillMotion, Ray Roman from Ray Roman Films, Casey and Danielle from Mindcastle Studios, Matt Ebeneezer from Shadowplay, and fellow Aussie Dave Cowling from DnM Video.

Everybody was hanging out at the Cinevate booth – you MUST check them out and their latest product line.  Dennis and company have invented some really neat tools.

For their booth, Cinevate hired many of the wedding cinematographers listed above, as well as our friend Joe Simon, to produce their promotional videos!  Also, rumor has it that StillMotion founder Patrick Moreau, who has been shooting footage for FreshDV's daily NAB videos, was set to shoot Steadicam footage of Steadicam inventor and cinematographer extraordinaire Garrett Brown using one of the Cinevate setups.  Stay tuned for more about that!

After walking a few miles of convention room floor, we headed over to the Final Cut Pro Supermeet to check out what developers are creating to enhance this NLE.  For those looking to continue to sharpen their skills on the FCP platform, this gathering is a can't-miss-opportunity!   

From networking to making purchase decisions to staying on top of your game, as a videographer, attending NAB is totally worth your while.  Register early next year – google search for "free NAB tradeshow passes" (a $150 value).  We will post links to the coupons for you here sometime in 2010.

untitled

Click on image above to see my tutorial – If you don’t have access to the video theater already, register for free by clicking “Theater” above.

This is a tip for Final Cut Pro users.  If you have FCP,  you also should have Motion installed.  I only use Motion for this very effect as it’s saved me a number of times when I didn’t have another shot to fall back on.  

A couple of things that weren’t mentioned in the video: 1) I have only applied this to short clips (usually under 10 seconds in length) – I’m sure it works with longer clips, too, I’ve just never tried.  2) I am getting a haircut soon. 3) For your really shaky footage – the clip is probably going to look blurry/crappy after you apply the effect… there’s only so much it can do.  The best thing to suggest is to shoot better next time — I know – that doesn’t help at all….
There are a few different things you can do to tweak this effect within Motion – but I have never tried. If you have any idea how to make this process have an even better outcome, please share!