Hey there interwebs! Eric Kmetz here to talk about drive management and how to keep your sanity in doing so.

As video professionals, it’s pretty safe to assume that we don’t store all of our footage, audio, DVD menus, render files, exports, etc, etc all on ONE hard drive. There are two reasons we don’t want to do this. The first is that I’m not sure they make a hard drive large enough to hold all of that data, and the second is you just would not want to put your entire business in the hands of a single hard drive. So, here we are with a ton of hard drives and no idea how to keep track and organize them. What I’m going to do is give you a few quick tips on making your drives more organized and structured.

The first and most important you will want to do is develop a system. Different people will have different methods for organizing their files; however it really comes down to personal preference and what will make you most efficient.

One way to organize is to store certain types of files on specific drives. So you have a set drive for your render files, a drive for exports, etc. Another approach is to organize based on projects, so you keep all files pertaining to a certain project on the same drive. Personally, I like to incorporate a mixture of the two. As much as possible, I will keep files for a project on one specific drive. This makes things easy when switching between open projects because I only have to connect one drive.

There is an exception to this rule. Since we have made the switch to shooting entirely on DSLR’s, we no longer have the luxury of having mini-DV tapes as a backup for our footage. Because these files cannot be recreated like DVD menus and FCP files, all raw footage is treated differently then other files. When copying over files from CF cards, I will put them on drives that are specifically for captured footage. These drives are then backed up onto a second drive and those backups are stored in a fireproof safe. By doing this, we minimize our risk of losing any footage as much as possible.

Regardless of what method you choose when developing an organization system, the most important thing is that you stick to it! Create a manual to keep the procedures consistent throughout the company.

Now that you have a fool-proof system in place, you are going to need a way to keep track of what files are on what drive. It’s quite annoying and inefficient to search through drive after drive looking for one specific file (and then not finding it on occasion).  That’s where a disk management program comes in.

For those of you on a Mac, I strongly recommend that you check out DiskLibrary. When I started at Epic, this was the very first recommendation I made for the company. This program will allow you to catalog every hard drive or DVD that you have, so you can browse the list of files on the drive without connecting it to the computer! For more on DiskLibrary, watch the video that accompanies this post. I go into a little more detail on the program, and how it can help you.

One final piece – RAID’s. There are two main types of RAID (or Redundant Array of Inexpensive Disks), RAID 0 and RAID 1. A RAID 0 array is known as a striped raid. To put it simply, this takes two identical hard drives and combines them into one drive. So two 500GB drives become one 1TB drive. The data is then written onto both drives sequentially, and therefore increases the speed and performance of the drive. I would not recommend creating a striped RAID set using external hard drives because of the increased possibility of data corruption when drives are moved. A good place to incorporate this is your computers internal hard drive (if possible).

The other type of RAID is RAID 1 or mirrored RAID. A mirrored RAID takes two identical hard drives and creates one single hard drive. The data is then written identically onto both hard drives. The drive can continue to operate and data can be accessed if one of the hard drives fail. It is important to note that using a mirrored RAID can become complicated if data is written to one drive while the other is not connected, thus degrading the RAID set. In short, mirrored RAIDs are not the ideal solution for data backup.

Well, there you go kids. I hope this post has helped you sort out the best solution for managing and organizing your hard drives. As always, if you have any additional questions feel free to email me at eric[at]epicmotion.com, or reach out to me via twitter, @erickmetz.

E



If there’s one thing that hasn’t changed for me over the past year, it’s my admiration and love of ShootQ! If you have heard me speak you know how much of an evangelist I am for this amazing and indispensable piece of online software.

The reason I love it so much is because as a creative professional and small business owner, my customer service and my time are the most important things to me. ShootQ gives me both! Sometimes, words are cheap, so I just wanted to show everyone out there first hand, whether you already use ShootQ or not, how ShootQ can help your business organize your leads and clients, your packages and your contracts, financials and forecasts, and how it creates “workflows” for you so you are always on top of the tasks that need attention now.

I’ve even heard from some of you, saying you have ShootQ, you can see the potential, you just don’t know where to start. This video shows you the “backend” of Life Stage Films. I hope it helps you understand the power of this amazing software. Let me know if it helps you!

“Head Coach”
Matt Davis

Here at IN[FOCUS], a part of our mission is to empower filmmakers in order that they may “survive, thrive, and serve.”  In order to survive, we are [focused] on simplicity and efficiency, most notably by offering our workflow training, as well as promoting streamlined business systems and coaching offered by Matt Davis.

By implementing such training, we expect you to survive, thrive, and to also have the opportunity to serve, whether it be by giving back and mentoring other filmmakers or by serving others through the use of your talents and time.

One non-profit that really excites us and encourages creatives to be of service is Thirst Relief International. Thirst Relief provides water filters to those without clean drinking water in order to prevent water-born illnesses which claim the lives of thousands worldwide every week.  For only $5, one person can provide another with years of clean drinking water through Thirst Relief.

Thirst Relief is founded and operated by event photographer Jim Davis Hicks, so he understands the power of solid visuals in order to inspire others toward action.  In order that photographers may be freed up from the work of their businesses to go out and serve with their free time, Jim has developed Action Runner to automate many of the steps in the post-production process.

Action Runner is currently on tour with Showit, another business dedicated to helping creatives find more freedom through the use of their easy-to-design website services.  You can catch them in Washington D.C. (6.28), New York City (6.29), Chicago (7.1), and Nashville (7.2) to get hands on with their software and to hear from such inspiring presenters as David Jay, Promise Tangeman, Bob Davis, The Boudoir Divas, Sarah Barlow, Zach and Jody Gray, and Jessica Claire.

Many filmmakers are also using Showit for their web presence, most notably Ron Dawson of Dare Dreamer Media who spoke on behalf of Showit on the Austin/Atlanta stops of the tour.  So for all the filmmakers in the surrounding areas of the cities mentioned earlier, and for those filmmakers taking on photography as well, go check out Showit and Action Runner, and begin to think about the ways in which these tools can simplify your life, free up your time, and allow you to serve.

Cheers!
jones

We use a plethora of lighting tools on the day of a wedding… one tool that we’ve found to be the most reasonably priced and has the best throw (for running off of AA batteries) is the R-50 LED Video Light Panel by LCD4Video.com.

The R-50 is most closely compared to the popular Litepanels Micro LED light. We ran a few tests and found that the R-50 has a much better throw than the Litepanels Micro. The only thing we wish was better was the dimming switch on the R-50. The Litepanels Micro has a finer tuning dimmer – but if you have time and the right stuff, you can achieve the look you’re going for with the right filter.

The R-50 sells for $189.99 which is a little more than $100 cheaper than the Litepanels – and that’s probably what makes us most excited. It runs on 4 AA batteries on full blast for over an hour… but once it’s done – it is done. You’ll need to make sure to have plenty of batteries (regular or rechargeable) if you will be shooting for an extended amount of time where you need additional light. Because we are turning the light on and off throughout a reception, it’s pretty standard that we don’t go through more than four that we put in the light at the beginning of the day.

The other thing that is totally rad about this thing is that it’s LED… if left on in your camera bag or sock drawer should not burn anything because of the heat-free LED technology… TOTALLY different than the Sony HVL-20’s that are extremely popular in our industry – these things will burn your soft little fingers if you’re not careful.

If there is an update to this model, we’d like to see a more fine tuning capability as well as a little more rugged design. I like the light-weightiness of both the R-50 and the Litepanels Micro, but I wish they both felt a little more rugged… it’s just a personal preference.

Here are some of the test pics we took while using  it.  Click on the images to enlarge and get the specs:

You’ll also notice in the pics that the Litepanels Micro is warmer than the R-50… this is easily solved with some minor color balance tweaking or with a gel.

Overall – for $189 and some change – there is no better option that we’ve found that can produce a nice soft fill light in LED-style.

There are some other great lighting alternatives on the LCD4Video site… be sure to check them out!

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We have been trying to find the right gearbag to meet our needs for a long long time!  I can honestly tell you that we currently have 9 different gear bags and/or cases in our studio’s storage closet. We just couldn’t seem to get the right combination!

About 6 months ago our very good friend Troy, a rep for several different sporting good/apparel lines, said he wanted us to try out a few camera backpacks and give him some feedback.  We agreed, and, to be honest again, let them sit for about 2 months without a test!

One day as I was getting gear packed for a wedding I decided to give them a shot, and LAWDY, why did I wait this long?  All I can say is “WOW” these backpacks are amazing!!! Their backpack-ness made for easier carrying versus traditional gear bags and the extra compartments and pockets were of greatest use!

Before we started using these bags we had 1 big and awkward bag for each camera. In each bag, we packed a camera, batteries, tapes, sharpie, audio, etc…but by the end of the night, each bag was such a mess and the contents were mixed between one bag and the other, causing us to waste more time sorting items out before the next shoot.

Here are the OGIO backpacks that have changed our lives:

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The ATIBA Mini backpack is our audio gear bag.   We know all the audio is in this bag and it gets put back in this bag exclusively (It is really nice having all the audio in this one bag!!!)

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The TY Video backpack holds both of our Canon XH-A1 cameras, our Canon HV-30 camera, batteries, tapes, and tripod plates, laptop, and external hard drive. Both cameras fit very nicely inside the bag with room at the top for the Canon HV-30, a shotgun mic, and a Canon VL-Li II video light.  One of the features I LOVE is that there are 2 pockets on one side that I can use for tapes. I put the blank tapes in the bottom pocket and the used tapes in the top pocket. I put batteries in the pocket on the other side.

If you are shooting with the Canon 5D Mark II or Canon 7D, you can very easily fit 2 bodies and an array of lens inside.

Having these backpacks has made it easier for us to transport our gear on the run.  It has also freed up our hands to carry additional gear, reducing the amount of trips to and from the car. The best part about these bags, though, is that with all the compartments, they don’t get all out of sorts like the other gearbags we have tried.  Literally, I save about an hour each week not having clean up and re-organize gear for the next shoot!

Jennifer Moon
Northernlight Filmworks