IN[FOCUS]

Hi there, everyone! Jet Kaiser is here to remind you stay comfortable while you work!

Several years back, when I was first getting my feet wet in the industry, I was looking to save money every chance I got, even if it meant placing time, health & comfort on the back burner. Now that I understand the true value of time this isn’t the case anymore.

We [filmmakers] are the biggest assets to our businesses and we need to treat ourselves right. Sacrificing comfort to save a couple extra bucks is not smart. Our money needs to go where our time is spent.

Most people don’t realize how much time goes into a wedding film. Hours and hours are spent in the same position, starring at pixels during the editing process. How ergonomic is your workstation? Below is a basic list that I’ve conducted to help with setting up your work areas with comfort, health and time in mind.

A big comfy chair.

This is number one. Choose a chair that is comfortable and gives you support. Chairs with armrests that are the same height as your desk helps you eliminate shoulder stress.  I recommend the Ergohuman ME7ERG.

Monitors that are at eye-level.

I’ve seen workstations where the editor has to look up to see the screens (like playing sample video games at Wal-mart). It won’t take long for the editor to develop some nasty neck and back pain. Keeping our monitors at eye level (or slightly below) will help avoid stress in your neck and ensures that we are seeing our images clearly.

Ergonomic Mice.

Luckily there is a nice assortment of ergonomic mice on the market. Be sure to choose a mouse that fits your hand and has plenty of customizable buttons. I have found that Logitech has some great mice for folks with large hands like myself. Your mouse should fill up all the space under your hand.

Wrist support.

This is a big one and is commonly overlooked. Computer gloves and wrist supports keep your wrists at an optimal ergonomic position and helps prevent Carpal Tunnel Syndrome. Last year I started using an IMAK computer glove for my mouse hand and it was the best $15 I spent in 2010. Also, when the UPS guys delivers and notices your glove when you answer the door you can tell him that you are training to become a cagefighter. :->

Lighting.

This also commonly overlooked. We moved into our new home studio last year and I designed it so we would be able to eliminate any glare on our screens. I studied how the big studios (Pixar, Industrial Light & Magic, etc.) lit their workspaces and then applied the same principles to our studio. No direct light, only subtle glows.

Shuttles/Controllers.

Whether it is embedded in your editing keyboard or a stand alone like the Contour Design’s ShuttlePro, a shuttle can speed up your editing time all while keeping your hands and fingers in a comfortable position. Check out this post for more information on the ShuttlePro v2.

Have any other helpful ideas regarding ergonomics? Comment below and share your thoughts.

Stay comfy, ya’ll
Jet Kaiser
Jet Kaiser Films

Jet

Jet Kaiser saved up enough money to by his first camcorder at the age of 14 and he's been creating films ever since. He eventually created the Indianapolis-based, Jet Kaiser Films where he collaborates his with his lovely wife, Dani. Together they produce cinematic, story-rich, "motion pictures for those in LOVE™ "

More Posts - Website - Twitter - Facebook

Still using alkaline batteries in your equipment? Switching to rechargeable NiMH batteries can save your studio lots of money! Also, what about all these different versions of the Canon LP-E6 batteries (used in the 5D mark II, 7d & 60D)? These questions are answered along with more in the video above. Although this video doesn’t answer everything you need to know about these batteries, it does contain some more specific information about them that I’ve learned over the years. Thanks for watching!

Jet Kaiser
Jet Kaiser Films

Jet

Jet Kaiser saved up enough money to by his first camcorder at the age of 14 and he's been creating films ever since. He eventually created the Indianapolis-based, Jet Kaiser Films where he collaborates his with his lovely wife, Dani. Together they produce cinematic, story-rich, "motion pictures for those in LOVE™ "

More Posts - Website - Twitter - Facebook

Christina and Clay’s Super 8mm Wedding Highlight from Soulbox Productions on Vimeo.

Hi IN[FOCUS] Readers,

This is Dave with Soulbox Productions. Corbin and I have been producing Super 8mm Wedding Highlights for the past 4 years and we want to share with you what we’ve learned in this two part series.

So you just purchased your refurbished super 8mm camera from Du-All Camera and you’re ready to film a wedding, right?…not so fast.

First, you’ll need to make sure you and your camera are ready to go.

Let’s start with the film, since you’ll need some to test your camera. Shooting at 24fps, each cartridge has 3 minutes of footage. We film a highlight using 3 cartridges, but your first time out, you’ll most likely want to use 4. If the Pre-Ceremony and Ceremony are well lit, buy two 200 speed cartridges (one for each – but you can always get two 500 speed and be ok). And assuming the Reception will be in low light, buy two 500 speed cartridges for it. We buy film from our processing company Spectra Film & Video. The price of their 4 pack of film (with processing included) is $259.

If you want to be confident of your camera’s workability on your client’s wedding day, you’ll want to do some tests at home first:

• you’ll need an extra cartridge of 200 speed film
• check to make sure there are no hairs are dust particles where you insert the cartridge (use a toothpick to gently remove any unwanted hairs)
• use measuring tape and measure out 5 feet and place the meter on your camera at 5 and begin filming
• we always like to test our cameras both by their meters and by our eyes to make sure both techniques are in focus (make notes as you test your camera, you don’t want to forget which technique you were trying when your test footage comes back from the lab in a few months)
• don’t forget to test both outside in bright light and at night for low lighting situations (see our post on an inexpensive super 8mm lighting trick)

There is a way around the extra costs and time by doing a home test. You can simply jump right into filming with super 8mm. For Corbin and me, it just so happened that one of our friends was getting married, so we surprised her with the super 8mm highlight. Don’t have a friend getting married anytime soon? Simply ask one of your upcoming clients. However, I would be very cautious about charging a lot (or anything at all) when testing an unproven camera.

Below is our first attempt at a Super 8mm Highlight, testing our camera for our good friends Mike and Misty (please note that Spectra Film & Video did not do the processing).

Misty and Mike’s Super 8mm Wedding Highlight from Soulbox Productions on Vimeo.

Okay, so the footage came back and the camera is ready to go! Well, besides your camera and film, here’s what else you’ll need for your first shoot:

• a bag
• batteries for the camera (and extra batteries)
• a light (unless everything is outside, but even then, it might get rained back inside)
• a belt clip (so you have easy access to the next three items)
• a lens wipe
• a marker (to number your cartridges, so your processing company will give the footage back to you in order, this saves time in post production)
• a small flashlight (so that you can read how much footage you have left during a dark reception)

Corbin and I hope this helps you get ready for your first Super 8mm Highlight. Next up in Part II, a shot list that will help you perfect the Super 8mm Highlight.

Cheers,
Dave and Corb

Dave and Corbin Baxter

More Posts